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Lorca has an eye injury (and a reluctance to have it fixed by modern medicine) that forces him to mostly sit in dim rooms, lest you miss the idea that mythos.And the third episode introduces a potential technological breakthrough that could be more narrative trouble than it’s worth, since it’s more advanced than anything Picard or Sisko or Janeway got to enjoy on shows set a century later.The Klingons have again been given a makeover, with a design that resembles Lt.Worf only as much as Worf resembled the forehead ridge-less Klingons from the first TV show (it is a long story), and a persona that’s a bit more ruthless and less samurai-like than was portrayed in series has tackled contemporary sociological issues — Kirk both got involved in a thinly-disguised version of the Vietnam War, and battled racism among a group of black-and-white aliens — so the Make Klingons Great Again aspect of T’Kuvma’s many rants isn’t out of character for the franchise, even if the show lays it on pretty thick, and at great length through the first two episodes, given its aspirations towards subtlety elsewhere.Michael’s not biologically a hybrid of two species like Spock, but she was nurtured by both.She allows her emotions to dictate her actions far more than Spock did, but when she’s being a human calculator or breaking down the logic of a scenario, she’s believable, and especially good in the third episode, when events have made her quieter and more guarded.

As an Earthling raised and educated on Vulcan, she’s not only an homage to the conflicts that rage within the half-human, half-Vulcan Mr.

There are many ways this could go wrong, especially the further away we get from the involvement of Fuller, whose ability to find new approaches to overpicked franchises was the biggest reason to be excited about in the first place.

The Klingon scenes — subtitled, with most of the dialogue delivered in a guttural yell by actors buried under makeup that limits their expressiveness — can be a chore to get through, and the show isn’t always subtle with the Starfleet characters, either.

But for all the complaints I’ve heard that this doesn’t look like the real to Spock giving a punk rocker the Vulcan nerve pinch, from the grand theater of a tortured Jean-Luc Picard defiantly screaming “THERE ARE FOUR LIGHTS!

” to the silliness of Kathryn Janeway and Tom Paris devolving into salamanders.

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